The exhibition En attente d’une bonne nouvelle curated by Frédérique Ulman-Gagné, brings together works by andes a. beaulé, Véronique Chagnon Côté, Syrine Daigneault, and Jacinthe Loranger to explore how we navigate a present marked by instability, an overload of discourse, and uncertainty about the future. Through distinct artistic practices, the artists pay sensitive attention to the political, social, and cultural tensions of our time, while opening up spaces for transformation, resistance, and reinvention. Drawing, painting, printmaking, and sculpture become here means of observing, questioning, and navigating the world. The works explore, in particular, the relationships between memory, social norms, the perception of images, personal history, and collective constructs. Moving between abstraction, satire, melancholy, and lucidity, they propose forms that persist despite the prevailing instability. Without seeking to offer a unified vision of the present, En attente d’une bonne nouvelle brings together approaches that remain attentive and open to the world. Against a backdrop of collective exhaustion and the fragmentation of reference points, the exhibition affirms the fragile possibility of a shared space—a place where looking differently still allows new forms of meaning and experience to emerge.