The Canadian photographer Bertrand Carrière presents a series of a hundred images from his visual journal begun in 2006, in which he tracks the traces and fragments of fragile, ephemeral things. These often nocturnal shots, some of which date back to the confinement period, are accompanied by brief texts and extracts from his diary.

That book could be described as the second element of a diptych, with the first being Le Capteur, which put together sequences of images that did not follow a specific chronology, but rather an internal logic and concern for detail indicative of Carrière’s interest in photographic diaries.